The moment you say 'I do,' the countdown to seeing your wedding film begins. We get it – the anticipation is real, and the 3-6 month turnaround time might leave you scratching your heads. But our process ensures your love story receives the time and attention it truly deserves.
Let's talk about consistency. Unlike some who outsource their work to multiple hands, we keep all edits in house. Your edit is crafted by Katelyn, and the colors are masterfully brought to life by Matt every time. We don't just edit five days a week; we're invested in your story every day. Half of Katelyn's workweek is dedicated to the business, too – from bookkeeping to customer service to marketing and social media, ensuring that every aspect of Honeycomb Films reflects the passion and excellence you expect.
But that's just the beginning. The pre-wedding process is our chance to get to know you – your quirks, your vision, and the unique aspects of your love story. This knowledge guides us during the editing process. Forget templates and cookie-cutter approaches – each film starts with a blank editing timeline. We let the music perfectly chosen for you and the flow of your day dictate the creation of a one-of-a-kind video, from scratch.
To ease the wait, we create a teaser video within one month of your wedding day. Follow our Instagram stories for an inside look at our editing queue, so you can track the progress of your film. We keep the excitement with regular social media posts of many couples, building anticipation for your wedding film.
So why the wait? Because magic takes time.
Every frame is carefully selected and woven into a narrative that encapsulates the essence of your love. It's not just about creating a video; it's about crafting an experience that will transport you back to the emotions, the laughter, and the love that defined your special day.
While the countdown to your wedding film might feel like a slow dance, rest assured that it's a dance of love, dedication, and craftsmanship. Your story is unique, and so is the care we put into every frame.